1절 카드 ↗
1. Bezaleel made the ark —The description here given of the things within the sacred edifice is almost word for word the same as that contained in :- . It is not on that account to be regarded as a useless repetition of minute particulars; for by the enumeration of these details, it can be seen how exactly everything was fashioned according to the "pattern shown on the mount" [ :- ]; and the knowledge of this exact correspondence between the prescription and the execution was essential to the purposes of the fabric. return to ' Top of Page ' <a name="verse-6" class="com-number"
Pericope (part_of)
- part_of
pericope/per-exo-37-001
절 (explains)
Source
source-manifest/jfb— Jamieson-Fausset-Brown (PD)- evidence_grade: T_theological
1. 브살렐이 언약궤를 만들었다—여기서 성막 내부 물품들에 대해 주어진 묘사는 앞선 기록과 거의 동일하다. 그렇다고 이것이 사소한 세부 사항의 쓸모없는 반복으로 볼 필요는 없다. 이 세부 사항들을 열거함으로써, 모든 것이 "산에서 보여주신 양식"에 정확히 따라 만들어졌음을 확인할 수 있다(출 25:40 참조). 그 지시와 실행 사이의 정확한 일치를 아는 것은 성막의 목적에 필수적이었다.
원주석
- 번역원본
commentary-section/jfb-exo-37-1-1(Matthew Henry, PD) - CC0-1.0 · Sonnet 위탁 번역 · 성경 인용은 WEB(PD) 기반
6절 카드 ↗
6-10. made the mercy seat of pure gold —To construct a figure, whether the body of a beast or a man, with two extended wings, measuring from two to three feet from tip to tip, with the hammer, out of a solid piece of gold, was what few, if any, artisans of the present day could accomplish. return to ' Top of Page ' <a name="verse-17" class="com-number"
Pericope (part_of)
- part_of
pericope/per-exo-37-001
절 (explains)
Source
source-manifest/jfb— Jamieson-Fausset-Brown (PD)- evidence_grade: T_theological
6-10. 순금으로 속죄소를 만들었다—끝에서 끝까지 이 마일에서 삼 마일에 이르는 두 날개를 가진 짐승이나 사람의 형상을 망치로 두드려 순금 한 덩어리로 만드는 것은, 오늘날의 장인들도 거의 해낼 수 없는 작업이다.
원주석
- 번역원본
commentary-section/jfb-exo-37-6-6(Matthew Henry, PD) - CC0-1.0 · Sonnet 위탁 번역 · 성경 인용은 WEB(PD) 기반
17절 카드 ↗
17-22. he made the candlestick of pure gold —Practical readers will be apt to say, "Why do such works with the hammer, when they could have been cast so much easier—a process they were well acquainted with?" The only answer that can be given is, that it was done according to order. We have no doubt but there were reasons for so distinctive an order, something significant, which has not been revealed to us [NAPIER]. The whole of that sacred building was arranged with a view to inculcate through every part of its apparatus the great fundamental principles of revelation. Every object was symbolical of important truth—every piece of furniture was made the hieroglyphic of a doctrine or a duty—on the floor and along the sides of that movable edifice was exhibited, by emblematic signs addressed to the eye, the whole remedial scheme of the gospel. How far this spiritual instruction was received by every successive generation of the Israelites, it may not be easy to determine. But the tabernacle, like the law of which it was a part, was a schoolmaster to Christ [ Galatians 3:24 ; Galatians 3:25 ]. Just as the walls of schools are seen studded with pictorial figures, by which the children, in a manner level to their capacities and suited to arrest their volatile minds, are kept in constant and familiar remembrance of the lessons of piety and virtue, so the tabernacle was intended by its furniture and all its arrangements to serve as a "shadow of good things to come" [ Galatians 3:25- : ]. In this view, the minute description given in this chapter respecting the ark and mercy seat, the table of showbread, the candlestick, the altar of incense, and the holy oil, were of the greatest utility and importance; and though there are a few things that are merely ornamental appendages, such as the knops and the flowers, yet, in introducing these into the tabernacle, God displayed the same wisdom and goodness as He has done by introducing real flowers into the kingdom of nature to engage and gratify the eye of man. return to ' Top of Page ' Exodus Exo 36 Exodus Exo Exodus Exo 38 Footnotes: Copyright Statement These files are a derivative of an electronic edition prepared from text scanned by Woodside Bible Fellowship. This expanded edition of the Jameison-Faussett-Brown Commentary is in the public domain and may be freely used and distributed. Bibliographical Information Jamieson, Robert, D.D.; Fausset, A. R.; Brown, David. "Commentary on Exodus 37". "Commentary Critical and Explanatory on the Whole Bible". https://www.studylight.org/ commentaries/ eng/ jfb/ exodus-37.html. 1871-8. terms of use • privacy policy • • rights and permissions • contact sl • about sl • link to sl To report dead links, typos, or html errors or suggestions about making these resources more useful use the convenient contact form StudyLight.org © 2001-2026 Powered by Light speed Technology Ads Free Profile .sub-menu{font-size:12px;padding:10px 0;max-width:1260px;width:100%;background-color:#f7f7f7;color:#6b6b6b;border-bottom:5px solid #6b6b6b;display:flex;flex-direction:column;flex-wrap:nowrap;position:absolute;z-index:9998} .sub-menu .menu-group{width:100%;margin:0 5px 0;padding:0 5px 0;border-right:1px solid #6b6b6b} .sub-menu .menu-group-spacer{display:none} .sub-menu .menu-name{font-size:15px;font-weight:bold;color:#deac27} .sub-menu .menu-name a{color:#deac27} .sub-menu .menu-ul li a{color:#6b6b6b;} .sub-menu .menu-ul li:hover{color:#DD8000} .search-button{background-color:#6b6b6b;color:#fff;border:1px solid #6b6b6b;-webkit-appearance:square-button;padding:0 5px;font-size:13px} .int-search-div{display:flex;flex-direction:row;margin-top:10px;flex-wrap:nowrap;width:100%} .int-search-div .int-s-query{border:1px solid #dadada;font-size:13px;padding:0 5px 0;margin-right:5px;width:30%;height:30px;flex:1 1 100%} .int-search-div .int-s-button{width:50px;margin-right:10px;height:30px;flex:0 0 50px} .int-selections-div{display:flex;flex-direction:row;flex-wrap:nowrap;width:100%;margin-bottom:20px} .int-selections-div .int-s-section{border:1px solid #dadada;color:#6b6b6b;font-size:13px;margin:5px 5px 0 0;width:70px;height:30px;flex:1 1 50%} .int-selections-div .int-s-translation{border:1px solid #dadada;color:#6b6b6b;font-size:13px;margin-top:5px;padding:2px;width:40%;height:30px;flex:1 1 40%} .lex-search-div{display:flex;flex-direction:row;flex-wrap:nowrap;width:100%} .lex-search-div .lex-s-query{border:1px solid #dadada;width:95%;height:30px;font-size:13px;padding:5px;margin-right:5px} .lex-search-div .lex-s-range{border:1px solid #dadada;color:#6b6b6b;height:30px;font-size:13px;margin-right:5px;width:100px} .lex-search-languages{width:95%;font-size:11px;display:flex;flex-direction:row;flex-wrap:nowrap;justify-content:flex-start;margin-top:5px} .ill-quo-div{display:flex;flex-direction:row;flex-wrap:wrap;width:100%;margin-top:10px} .ill-quo-s-query{font-size:15px;color:#6b6b6b;padding:0 10px 0;border:1px solid #dadada;height:30px;width:100px;margin-right:5px;flex:1 1 auto} .ill-quo-s-select{border:1px solid #dadada;color:#6b6b6b;padding:5px;height:30px;margin-right:5px} .clickable{cursor:pointer} ia, qa{cursor:pointer;margin:0 4px; line-height:25px} @media only screen and (max-width: 899px) { .sub-menu{height:65%;overflow:scroll} .sub-menu .menu-group, .sub-menu .menu-group:first-child{border-right:0} .sub-menu .part2{margin-top:-24px} .sub-menu .menu-group .menu-ul{width:100%;display:flex;flex-direction:row;flex-wrap:wrap;justify-content:flex-start} .sub-menu .menu-group .menu-ul li{list-style:disc;list-style-position:outside;padding:0 15px 5px 0;flex-grow:0;flex-basis:50%} } @media only screen and (min-width: 900px) { .sub-menu{flex-direction:row;flex-wrap:nowrap;justify-content:space-between} .sub-menu .part2{padding-top:18px;margin-top:0} .sub-menu .menu-group:last-child{border-right:0} .sub-menu .menu-group-spacer {border-right:1px solid #6b6b6b;padding:5px 0} .sub-menu .menu-ul{width:100%} .sub-menu .menu-ul li{list-style:disc;list-s
Pericope (part_of)
- part_of
pericope/per-exo-37-003
절 (explains)
Source
source-manifest/jfb— Jamieson-Fausset-Brown (PD)- evidence_grade: T_theological
17-22. 순금으로 등잔대를 만들었다—실용적인 독자들은 이렇게 물을 것이다. "그런 작업을 왜 주조로 훨씬 쉽게 할 수 있는데 망치로 했는가? 그 기법은 그들이 잘 알고 있었는데." 줄 수 있는 유일한 대답은, 명령에 따른 것이라는 것이다. 그토록 독특한 명령에 어떤 이유가 있었는지 우리에게 알려지지 않은, 어떤 중요한 상징적 의미가 있었을 것이다[네이피어]. 그 거룩한 건물 전체는 계시의 위대한 근본 원리들을 모든 부분에 걸쳐 가르치기 위해 배열되었다. 모든 물건은 중요한 진리의 상징이었다. 모든 가구는 교리나 의무의 상형문자였다. 그 움직이는 건물의 바닥과 옆면에는, 눈에 호소하는 상징적 표시들로, 복음의 구원 계획 전체가 전시되었다. 이 영적 교훈이 이스라엘의 매 세대에 얼마나 받아들여졌는지 말하기 어렵다. 그러나 성막은 그것이 일부를 이루는 율법처럼 그리스도에게로 이끄는 몽학선생이었다(갈 3:24-25). 마치 학교 벽에 아이들이 이해하기 쉽고 변덕스러운 마음을 잡아두는 수준에 맞게 그림들이 붙어 있어, 경건과 덕의 교훈을 항상 친숙하게 기억시키는 것처럼, 성막은 그 가구와 모든 배치를 통해 "장래 좋은 일의 그림자"(히 10:1) 역할을 하도록 의도되었다. 이 관점에서, 언약궤와 속죄소, 진설병상, 등잔대, 분향 제단, 거룩한 기름에 관한 이 장의 세밀한 묘사는 가장 유용하고 중요하다. 비록 꼭지와 꽃 같은 장식적 부속물도 몇 가지 있지만, 이것들을 성막에 도입함으로써 하나님은 인간의 눈을 즐겁게 하기 위해 자연의 왕국에 실제 꽃들을 도입하신 것과 같은 지혜와 선하심을 나타내셨다.
원주석
- 번역원본
commentary-section/jfb-exo-37-17-17(Matthew Henry, PD) - CC0-1.0 · Sonnet 위탁 번역 · 성경 인용은 WEB(PD) 기반